Epic may be the wrong word for what Loktev achieves with her follow-up to the Oscar-shortlisted saga about Russian dissident journalists condemned by the Kremlin — it's really more of a vibe movie, and better for it.
California taxpayers will help underwrite the “Michael” sequel from Lionsgate, with $30.8 million in state tax incentives going toward the production.

Mk2 Films is expanding its prestigious film library with the acquisition of Denis Freyd’s production company Archipel 35, as well as movies by two-time Palme d’Or-winning directors Jean-Pierre and Luc Dardenne from their company Les Films du Fleuve.

Glen Powell is the latest Hollywood heavyweight to express a disinterest in talking about politics in press interviews. The “Top Gun: Maverick” and “Chad Powers” is on the last cover of Esquire magazine and remembered growing up with parents who never brought up current events…

The 17th Durban FilmMart kicks off Oct. 9 with a stacked, four-day program of talks, panels, think tanks and conversations that will spotlight some of the challenges and opportunities for the African film and TV industries and set the agenda for the continent’s filmmakers for…

The writer-director of "Paper Tiger" talks to IndieWire about his 1994 debut "Little Odessa," now available in a new 4K UHD edition from Criterion.
Little OdessaThe event, ready for its 21st edition, will return to the Ebell theater in Los Angeles on March 11.
EXCLUSIVE: Barcelona-based Low Light Films has boarded sales on Theodore Schaefer’s The Arrow at Rest at Every Instant of its Flight ahead of its European premiere at the Sitges Film Festival this week and released a first clip.

Galvanized by the weighty sales and deal prospects on its “Baywatch” reboot, Fremantle is set to hit the Croisette with a powerhouse lineup as it drives ever more into “mainstream escapism, entertainment, big brands, IP,” said Fremantle CEO Commercial, International Jens…

Following her Venice jury chief duty, Maggie Gyllenhaal is attending Busan film festival for the first time with her short film, Flesh Impact, which is showing in Special Screenings.

The producers of upcoming British boxing biopic “In the Shadow” have successfully staged a last-minute rescue mission to save their film after its U.K. distributor True Brit Entertainment filed for administration in late September.

“In Starland,” the directorial debut of British star Ray Panthaki and led by “Sing Sing” breakout Clarence Maclin, has been backed by some of the indie film world’s leading lights.

EXCLUSIVE: The Coven has picked up worldwide rights to Michael Schwarz’s slasher directorial debut The Only One ahead of its premiere at the Brooklyn Horror Film Festival this month.

Uruguayan writer-director Federico Borgia's solo feature debut, premiering at the London Film Fest, features a ruthless custody battle and explores family ties, avarice and class divides with black humor.
When Variety spoke with Taiwanese director Lu Po-Shun in March, he was seeking final financing for his debut feature, “Will You Still Be My Friend,” a coming-of-age drama weaving adolescent friendship with local politics and solar energy development.

EXCLUSIVE: Smart-TV maker Vizio, which was acquired by Walmart in 2024, is bringing to market an original holiday movie and more programming from premium suppliers and creators in a major content expansion.

Chinese filmmaker Gu You’s films modeled on Chinese landscape painting will not stop at three. The director of “The First Taste of Loneliness,” which world premiering in competition at the Busan International Film Festival, tells Variety that a fourth installment is already in…

Universal Pictures Content Group (UPCG), LW Entertainment and Cameron Mackintosh have partnered to produce a live recording of Andrew Lloyd Webber’s Phantom Of The Opera, which will be released in cinemas in 2027.

The Singapore International Film Festival (SGIFF) is keeping Hur Jin-ho’s “The Assassin(s)” as its opening film, a day after all 109 lawmakers of South Korea’s conservative People Power Party (PPP) asked the festival to pull it.

Palestinian-Jordanian director Asmahan Bkerat's film, screening at the London Film Festival, introduces us to a family who helped the young creative discover her love for documentary filmmaking.
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